Liboso ya kiti na yo na ye kosopa motema na ngai o
Oza oyo ngai na luka uta mua kala lelo na moni yo
Mpo bolam'osaleli nga etindi nga na yemba Nzemb'oyo eh eh eh eh eh!
Liboso ya kiti na yo na ye kosopa motema na ngai o
Yonde oyo nga na luka uta muakala lelo na moni yo eieieh
Po masum'olimbisi ngai etindi nga na yemba Nzemb'oyo
[CHORUS]
Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo
(Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo)
Loyembo eeeh Loyembo na nga ya ng'oyo
(Loyembo eeeh Loyembo na nga ya ng'oyo
Loyembo eeeh Loyembo na nga ya ng'oyo)
[BRIDGE]
(Tu répands ta gloire dans les cieux et sur la terre
Nous levons nos mains pour t'adorer prince de paix
Au milieu de nous Jésus Christ c'est toi qui
Règne qui règne qui règne qui règne Tu règnes)
[CHORUS]
(Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo
Motema eeeh motema na nga ya ng'oyo
Motema eeeh motema na nga ya ng'oyo
Motema eeeh motema na nga ya ng'oyo)
[BRIDGE]
(Tu répands ta gloire dans les cieux et sur la terre
Nous levons nos mains pour t'adorer prince de paix
Au milieu de nous Jésus Christ c'est toi qui
Règne qui règne qui règne qui règne Tu règnes)
[CHORUS]
(Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo
Malasi eeeh malasi na nga ya ng'oyo)
Malasi
Malasi Song Meaning, Biblical Reference and Inspiration
Henri Papa Mulaja's song "Malasi," released on December 22, 2019, is a profound expression of worship and devotion. The song opens with a deeply personal declaration, "Liboso ya kiti na yo na ye kosopa motema na ngai o" (Before your throne I come to pour out my heart). This sets an intimate tone, depicting a worshipper approaching the divine presence with complete vulnerability. The lyrics convey a sense of having found something long sought after, stating, "Oza oyo ngai na luka uta mua kala lelo na moni yo" (You are the one I have sought for a while, today I have found you). This pursuit culminates in a moment of recognition and communion.
The inspiration for this song stems directly from God's actions in the singer's life. The verse highlights two key reasons for the overflow of praise: God's goodness and His forgiveness. "Mpo bolam'osaleli nga etindi nga na yemba Nzemb'oyo eh eh eh eh eh!" (Because of the goodness you have done for me, it drives me to sing this song) and later, "Po masum'olimbisi ngai etindi nga na yemba Nzemb'oyo" (Because of the sins you have forgiven me, it drives me to sing this song). Gratitude for God's grace and pardon is the wellspring from which this musical offering flows, presenting the song itself as a direct response to divine mercy and kindness.
The recurring chorus introduces the central theme: "Malasi eeeh malasi na nga ya ng'oyo" (Malasi eeeh, this is my malasi). "Malasi" in Lingala translates to perfume or fragrance, often symbolizing something precious and pleasing. In a spiritual context, it represents a costly and heartfelt offering presented to God, reminiscent of the biblical concept of a "sweet aroma" acceptable to the Lord. The repetition emphasizes the personal nature of this offering – "malasi na nga ya ng'oyo" signifies "my very own precious offering." Later repetitions of the chorus incorporate "Loyembo na nga ya ng'oyo" (my song, my offering) and "Motema eeeh motema na nga ya ng'oyo" (my heart, my offering), clarifying that the "malasi" encompasses not just the song itself but the heart and spirit behind it – a complete surrender and devotion offered as a valuable gift.
Transitioning from the personal offering, the bridge shifts focus to a broader declaration of God's power and reign, delivered in French: "Tu répands ta gloire dans les cieux et sur la terre / Nous levons nos mains pour t'adorer prince de paix / Au milieu de nous Jésus Christ c'est toi qui Règne qui règne qui règne qui règne Tu règnes" (You spread your glory in the heavens and on the earth / We lift our hands to adore you, Prince of Peace / In our midst, Jesus Christ, it is you who reigns). This part elevates the worship from individual gratitude to a corporate acknowledgment of God's universal sovereignty and glory. It incorporates familiar postures of worship, like lifting hands, and explicitly identifies the recipient of this worship as Jesus Christ, the reigning "Prince de Paix."
Thematically, "Malasi" beautifully weaves together the journey from a seeking heart to a found relationship, driven by gratitude for goodness and forgiveness, culminating in a personal offering of worship. This offering, symbolized by "Malasi," is the singer's best – their song and their heart. The inclusion of the bridge expands this personal devotion into a recognition of God's majestic, universal reign, inviting listeners to participate in declaring His glory. It is an invitation to present one's own precious "malasi" – their life, praise, and heart – before the One who is found, who is good, who forgives, and who reigns supreme.
Scripturally, the song resonates with several biblical concepts. Coming before God's throne to pour out one's heart echoes passages like Psalm 62:8, which encourages trusting God and pouring out hearts before Him, and Hebrews 4:16, inviting believers to approach the throne of grace with confidence. The theme of finding God after seeking aligns with Jeremiah 29:13. Gratitude for God's goodness is a constant in the Psalms (e.g., Psalm 103:2). The forgiveness of sins as a basis for praise is foundational in Christian faith (Psalm 103:3). The idea of offering a precious sacrifice, or a "sweet aroma," is found in texts like Ephesians 5:2 (Christ's sacrifice) and Philippians 4:18 (believers' gifts as a fragrant offering). Hebrews 13:15 speaks of continually offering a sacrifice of praise, the fruit of lips that acknowledge His name. Lifting hands in worship is a practice seen throughout scripture, such as in Psalm 134:2 and 1 Timothy 2:8. The declaration of God's glory filling the earth aligns with Isaiah 6:3 and Psalm 19:1, while acknowledging Jesus' reign connects to prophecies and declarations of His sovereignty (e.g., Isaiah 9:6, Revelation 19:16).
Considering the release date and context of a song video in 2019 for this genre, the visual background would likely have aimed to enhance the themes of heartfelt worship and God's glory. Common elements might include scenes of diverse individuals or congregations engaged in fervent praise, potentially incorporating imagery of nature to reflect God's creation and universal glory as mentioned in the bridge. The visual presentation would typically support the song's emotional arc, moving from intimate reflection to powerful, collective adoration, emphasizing sincerity and the visible expression of faith during worship.
